2003/11/11: Difference between revisions

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The cult band “Embryo” captivated their fans at the TAN music school. There it was again, the velvety sound of the marimba, howling violins pushing their way to the forefront, rattles, tones from the hammered dulcimer. Associative sounds in a club atmosphere... An evening between meditative relaxation and the cacophony of uninhibited rhythms, wild guitar breaks, ecstasy. The uncontrolled-sounding improvisations of band founder Christian Burchard and guitarist Chris Karrer (Amon Düül), paired with the soloistic masterpieces of Oberhausen pianist Achim Jaroschek, demonstrated even to untrained ears this free style of performance and the feeling for creating sound and rhythm together. What sounded like an acoustic composition by Hyronimus Bosch, in which the primal vocal sounds of Mik Quantius (35, vocals), sitting cross-legged on stage, gave listeners goose bumps, seemed like a reflection of the noise emissions of our hectic industrial society. The interludes by guest musicians Marcin Langer on saxophone and Murat Cakmak on the wind instrument nay were also fascinating. Together with Bulgarian gadulka player Stefan Daskalos, they brought this original form of world music to full bloom. ''(CK)''  
The cult band “Embryo” captivated their fans at the TAN music school. There it was again, the velvety sound of the marimba, howling violins pushing their way to the forefront, rattles, tones from the hammered dulcimer. Associative sounds in a club atmosphere... An evening between meditative relaxation and the cacophony of uninhibited rhythms, wild guitar breaks, ecstasy. The uncontrolled-sounding improvisations of band founder Christian Burchard and guitarist Chris Karrer (Amon Düül), paired with the soloistic masterpieces of Oberhausen pianist Achim Jaroschek, demonstrated even to untrained ears this free style of performance and the feeling for creating sound and rhythm together. What sounded like an acoustic composition by Hyronimus Bosch, in which the primal vocal sounds of Mik Quantius (35, vocals), sitting cross-legged on stage, gave listeners goose bumps, seemed like a reflection of the noise emissions of our hectic industrial society. The interludes by guest musicians Marcin Langer on saxophone and Murat Cakmak on the wind instrument nay were also fascinating. Together with Bulgarian gadulka player Stefan Daskalos, they brought this original form of world music to full bloom. ''(CK)''  


''Nordrheinische Zeitung, 2003/11/13'' </blockquote>Source: https://web.archive.org/web/20070920110641/http://www.embryo.de/presse_2003.htm
''Nordrheinische Zeitung, 2003/11/13'' </blockquote>Source: [https://web.archive.org/web/20070920110641/http://www.embryo.de/presse_2003.htm embryo.de, 2003]